Based on the true story of legendary sharp shooter Annie Oakley, this thigh- slapping, yee har of a musical charts her meteoric rise to fame. From illiterate country bumpkin to star attraction of Buffalo Bill’s Wild West Show, Annie Oakley was an early exponent of ‘girl power’ as she outdid the men with her remarkable gun-slinging skills.

With a lively score including There’s No Business Like Show Business and Anything You Can Do, as well as scope for some genuine comedic moments, Radlett Light Opera Society had chances to hit the bullseye but unfortunately, their aim was distinctly off at times in a decidedly hit and miss production.

A ponderous start set the tone for the evening while the principal singers were often unsuccessful in competing with a punchy but over-dominant orchestra. The animated chorus made the most of their moments with the talented dancing girls being especially appealing.

The show demands a leading lady who can (to shamelessly plagiarise Charlotte Church) be “a triple threat”, and sing, dance and act. Lisa Fitzgerald’s interpretation of Annie Oakley was extremely engaging. Her attractive and expressive face coupled with her ability to be both ballsy and fragile was effective and struck a real chord of believability. Unfortunately, her vocals missed the mark.

More effective vocally was Iain Fowles as Annie’s gun-toting rival and love interest, Frank Butler. After a tentative start he established himself well and turned in a solid performance.

Gilly Thursby grabbed the limelight whenever possible with her delightfully vain and vacuous Dolly Tate. Praise also to Ziki Futerman (Chief Sitting Bull) whose presence and deadpan delivery had real gravitas.

Michael Moore