The 25th organ festival in St Albans provided top class performances in a variety of styles and ensembles, happily also celebrating the recent re-dedication of the cathedral’s own Harrison and Harrison organ.

Thoughtful planning of the Three Choirs concert on Monday, July 13 was apparent in both personnel – St Albans own choir (conductor Andrew Lucas), Westminster Abbey (James O’Donnell) and King’s College, Cambridge (Stephen Cleobury) with the Royal Academy of Music Symphonic Brass Ensemble – and repertoire. The event was distinguished by the presence of the Duchess of Gloucester.

Each choir sang short works by Mendelssohn and Purcell and in combination major works by Vaughan Williams and Walton, the 20th Century works affording two Te Deums and the formidable Vision of Aeroplanes – very exacting for all combined forces.

From the brass ensemble came gorgeous tone quality in excerpts from Richard Strauss, and Thomas Winpenny (Assistant Master of the Music at St Albans) had important roles as organ soloist and within the ensembles.

So many positive things can be noted from these uplifting experiences for all present – not only for the participants but also for the capacity audience, an amazing sound, a large dynamic range and an extension of repertoire.

In contrast, and on many levels, the superb programme given on the Tuesday by Richard Rodney Bennett and Claire Martin – When lights are low - was an excellent example of the breadth of styles that the festival brings. Ms Martin’s reputation as a jazz singer continues to grow including successes in US charts and she also presents BBC Radio3 Jazz Line-up.

Richard Rodney Bennett’s name appears across the musical spectrum. His versatility seems to know no bounds and he has recently been knighted for his services to music. Although his work still remains strongly in the formal composition area, he holds firmly to the jazz piano tradition which marked his student days. His work also featured in other concerts in the festival.

The organisers did well to create a cabaret atmosphere in St Saviour’s church for the evening’s entertainment and both soloists responded with a consummate artistry born of a long understanding.

With Richard Rodney Bennett as singer as well as pianist, the texture could have three levels. The music spanned many decades from the '30s to the present day; with the first half of the evening highlighting the work of Cy Coleman. The large audience much appreciated the relaxed but skilful presentation and went away smiling.

John Westcombe